Babette's Feast

Based on a Karen Blixen story, <i>Babette's Feast</i> is a heartwarming tale of generosity in 19th century Denmark. As the film opens, we are introduced to Martine and Philippa, daughters of a charismatic preacher in a tiny Jutland village. Dedicated to their father's work, they turn down the courtship of a Danish officer and a French musician. Decades later, the musician sends them Babette, a refugee from the destruction of the Paris Commune, in the hope that the sisters can shelter her and employ her as a maid. When she wins an annual lottery, Babette decides to put on a feast for her…

Well, <em>'Babette’s Feast'</em> is exactly what it says on the tin, that's for sure. It is a film that I'd personally refer to as 'good', though my interest did ascend and descend interchangeably throughout. The religiously and sing-y scenes were the parts that kinda lost me if I'm honest, but there is still enough there that I had a fine time seeing unfold - the characters for one, and then the final feast itself is decent viewing. Stéphane Audran is the best performer onscreen, I enjoyed her showing. The actresses that play Filippa and Martine, both younger and older, are solid. Beyond…

**_The moment when “Mercy and truth… have kissed each other”_** In a northern Jutland village, two daughters of a pietistic Lutheran pastor are dutiful spinsters by 1871 (Bodil Kjer and Birgitte Federspiel) when they take-in a Parisian refugee who “can cook” (Stéphane Audran). Fourteen years later, the latter insists on banquet for the dwindling congregation and a Hussar general, a former suiter of one of the sisters from decades earlier (Jarl Kulle). A Danish production, “Babette’s Feast” (1987) was based on the short story by Isak Dinesen, aka Karen Blixen, who’s also known as the author…

Now if you’re not up for a genuine dose of human kindness then this isn’t going to be a film for you. It’s all about the young “Babette” (Stéphane Audran) who has been taken in by a pair of spinster sisters who, despite plenty of opportunity, found themselves tied to their preacher father’s apron strings throughout his life, and who are now living life largely just waiting for it’s end. “Filippa” (Bodil Kjer) and “Martine” (Brigitte Federspiel) take after their father and are deeply religious in a community where the kirk is central to daily life, and so it seems the Christian thing to do to…