Hokum

Perhaps the vicar was just clearing his throat at his Christening, but anyway it's author "Ohm" (Adam Scott) who is about to conclude the final instalment of his legendary "Conquistador" trilogy when he is reminded that he still has the ashes of his parents in a cupboard, alongside a photograph of his mum leaning against a giant tree. He decides that the best place for them to rest is under that very tree, so he sets off to Ireland and a remote country hotel. His arrival gives him (and us) an idea of just how quirky this place is, and the fact that he's a bit attitudinal suggests the trip…

It struggles to build tension and meanders at times, but this is not a bad movie. I get a very similar vibe to 1408, which came out in 2007, and Grave Encounters, especially the first one. The casting here is good and carries a lot of the movie, but the pacing is a bit slow and it's difficult to feel for the protagonist, which means that the tension doesn't quite build the way it should.

I must have a short attention span today because 10 minutes in and... yeah, I'm bored. I'll revisit this some other day when I'm not frustrated out of my skull at everything and everyone. BUT ALSO, [SPOILERS]: Did he really go from hallucinating a creepy old woman in his house twice, to nonchalantly playing with a gun that is implied to be connected to his parent's death? Maybe the creepy old woman was mommy dearest.

The Irish woods are dark and deep in everything Damian McCarthy has written and directed, following a terrifying tradition of depicting isolated homes, and buildings -- possessing terrible secrets, curses, and presences. Natch, the Irish Tourism Board may ask McCarthy to start setting his films elsewhere! From **CAVEAT** to **ODDITY**, and now **HOKUM**, McCarthy succeeds presenting unnerving atmosphere for his protagonists -- especially for those who have it coming. In **HOKUM**, Adam Scott plays a troubled, misanthropic author Ohm Bauman, an American who makes a pilgrimage to an isolated,…