The 5th Wave

Well, the young adult movie adaptation genre continues to percolate despite the farewell sentiments as demonstrated by hugely popular products meant to entice the teen scene such as the Twilight, Divergent, Maze Runner and The Hunger Games film series. Sure, why not tamper with a proven formula that guarantees all the right ingredients to tap into the angst-ridden world of young feminine empowerment set against a background of apocalyptic strife and undefined self-discovery? In director J Blakeson’s drippy and derivative dystopian drama The 5th Wave we are introduced to another similar…

> Another teen film trilogy, alien invasion theme on a roll. The 80s teen films were different, (like the recent one 'Turbo Kid') especially those I watched when I was growing up in the late 90s and early 2000s. But now most of them are dystopian action-adventure-fantasy/sci-fi themes, and obviously trilogies with high end graphics. I won't blame for that, the time has come for a change, the movies have technical qualities and they know how to render them, but the stories are terrible. To me this was just an okay film. Felt like the action-adventure versions of 'The Host', but I loved that…

Here we go again, another female empowered teen movie. HW seem to be literally pumping this garbage out for the last few years. Is it any wonder why movie sales are down with garbage like this on the shelf? Designed to be for all those teens who like the idea of blood, but really don't want to see it (think twilight, hunger games etc). Save your money and 1h50m of your time and skip. If you really need to see it, in brief it's about a 16 year old girls world turned upside down by an 'alien' invasion when her brother is taken by supposed US army to fight the aliens and father is shot.…

It's like someone read _The Road_ and went "Oh hey, that was pretty good, I know how I can ruin it!". It's a worse _Hunger Games_ movie than even the last _Hunger Games_ movie was. It's the kind of film where after the opening scene, there is a 40 minute flashback sequence of pure awkward exposition. It's the kind of film that manages to avoid being "offensively bad" by by the skin of its teeth, only because it is instead "embarrassingly bad". It's the kind of film that thinks it's going to get a sequel, so it resolves **nothing**, but that sequel will never happen. I terms of acting? Look,…