Yellowstone

Legitimately bad writing. All the scenes seem to needlessly end in escalation, hostility or outright violence to the point it's exhausting. There are shows about gangs, drug dealers and hit men with fewer murders per season. This ranch has an implausibly high body count, dozens if not hundreds of people have been murdered here and there's not been anyone looking into it? None of the lazily disposed of bodies get investigated? This one farmer is powerful enough to keep away state and federal police for decades? For whatever reason everyone is perpetually wanting to fight. They'll just…

**Cheesy and bad writing** “**Spoilers may be inside**” The first episode starts with a socking scene, followed by good acting and beautiful views of Montana. Soon many characters are introduced and their complex dynamics start to shape in. So far so good. By the episode 5-6 onwards the show starts to lose its grip. No consistency in behavior, illogical violence, unnecessary screaming/cursing, followed by some lazy cowboy scene, and this becomes monotonous. The writing is so poor, e.g. someone kills somebody, and the next morning he is enjoying some cowboy moments, as if nothing happened. No…

Yellowstone, on its rugged surface, presents as yet another myth-making Western -- painted with the broad strokes of horseflesh, sunsets, and men clutching at the tatters of Manifest Destiny. But beneath the sweeping cinematography lies a brutish, strangely compelling fable about legacy, land, and the sheer inertia of inherited power. Kevin Costner, surprisingly, turns in one of his most interesting performances not by radiating moral clarity, as he once did, but by portraying John Dutton as a man whose grip on power is less a matter of brilliance than blind, stubborn luck. Dutton is not a…